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The souvenir of egypt in the study of material culture

As we did with the section on Political History, let's begin with some unanswered questions about the silk and then develop them into some viable topicsfor a research project in Material Cultural History.

Question:

Who made the silk, and for whom to buy?

Insight into the question we have gathered from our research:

Recall our examination of the Texts. The two languages represented are Arabic and English.Also, the only nations actually named are Egypt and Britain. But, even if the silk presented no text to read, the predominant flags in the silk are Egyptian andBritish and the imagery is of dark skinned and turbaned individuals working near a river before pyramids. This cultural snapshot is presumably not of the ThamesRiver.

Developing the question into a research project in the study of material culture:

The existence of the Souvenir of Egypt indicates the existence of an English-speaking, presumably British, tourist culture in Egypt in the firstquarter of the twentieth-century. Our research project will examine the cultural significance of this and other souvenirs of international travel by looking foradditional evidence of a culture of tourism, such as travel accounts and guides, agencies for the promotion of tourism and the impact of an exposure to foreigncultures on trends of fashion and décor in London.

Let's try another question.

Question:

Why is the image of the laboring Egyptian along the Nile River before the Great Pyramid of Giza that appears in the Souvenir of Egypt such apredominant image in European representations of Egypt?

Insight into the question we have gathered from our research:

Recall our stumbling across the genre of Orientalist art in our analysis of the Symbols in the imagery of the Souvenir of Egypt. The emphasis of difference or “otherness,” to usea term brought to the fore of historical research dealing with Europe’s perceptions of the non-European, seems significant to the study of our artifact. Taken in oneway, the surrounding European leaders seem to be peering in to the scene of exotic labor from the outside, or perhaps containing it.

Developing the question into a research project in the study of material culture:

The imagery of the Souvenir of Egypt is a complex interplay of the familiar and the exotic. The scene of the simple, and yet decidedly exotic,figures laboring beneath the mysterious pyramids of Giza is countered by the surrounding visages of the wider political universe, also mysterious for differentreasons. Our research project will examine the ways in which the British tourist’s experience in Egypt shaped and was shaped by such representations of the familiarand the unfamiliar as we find in the Souvenir of Egypt.

Where to go from here

This is an excellent point in the project to consult with your advisor on where you are going with the project. We have done an extensive amount of research sofar and have found much useful information about the silk and its imagery. Often, when one has spent as much time as we have on a project like this, we don’t see whatmight be an obviously productive direction. Introducing your research to someone on the outside can be very helpful in this respect, especially if that person isfamiliar with you and your work. Your advisor is the perfect person to have this conversation with.

Questions & Answers

A golfer on a fairway is 70 m away from the green, which sits below the level of the fairway by 20 m. If the golfer hits the ball at an angle of 40° with an initial speed of 20 m/s, how close to the green does she come?
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Nevermind i just realied that the graph is the phons output for a person with normal hearing and not just the phons output of the sound waves power, I should read the entire thing next time
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Follow up question, does anyone know where I can find a graph that accuretly depicts the actual relative "power" output of sound over its frequency instead of just humans hearing
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"Generation of electrical energy from sound energy | IEEE Conference Publication | IEEE Xplore" ***ieeexplore.ieee.org/document/7150687?reload=true
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Source:  OpenStax, Understanding material culture: deciphering the imagery of the "souvenir of egypt". OpenStax CNX. Oct 08, 2006 Download for free at http://cnx.org/content/col10301/1.7
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