3.2 Trombones  (Page 2/2)

History

Unlike most other wind instruments , the basic design of the trombone has not changed much for centuries. It was developed in Europe, first appearing as the sackbut in the 1400's. In the 1800's, when valves were being added to other brass instruments such as the trumpet and horn, there were also experimental valve trombones, but they never gained much popularity. A modern trombone may have one or two valves that help extend its lower range, but the main work of changing pitches is still done using the slide.

At first, the sackbut/trombone was used mainly as a church instrument. Its timbre was considered to blend well with voices, and its ability to use its slide to make the subtle changes in tuning needed for the different church modes made it ideal to accompany plainsong chant.

Possibly because of its strong association with church music, the trombone was used sparingly in orchestras until the late Romantic period. Even when it did appear in the concert hall, it was often used to evoke religion, mortality, or the supernatural. (Examples of this include Beethoven's Symphony No. 5 , Rimsky-Korsakov's Russian Easter Overture , the appearance of the ghost in Mozart's Don Giovanni , and Weber's Der Freischutz , another opera with supernatural themes.)

Eventually the organ replaced the trombone in church music, the association faded, and the trombone became a full member of the orchestra. It also became a key instrument in many kinds of bands, and its strongest association these days is probably with marching bands and jazz bands.

The various trombones originally played in the clefs deemed appropriate for their parts, alto trombones playing mostly in alto clef, for example. Nowadays, beginning trombone players learn bass clef, and most modern parts for both tenor and bass trombone are in bass clef. However, it is not uncommon for older parts to still appear in their original clef; the first trombone part may be in alto clef, for example, the second in tenor, and the third in bass clef. Or more than one clef might appear on the same part. British band music often includes transposing treble clef parts for the trombones.

Repertoire

Trombones are a perennial favorite band instrument. Listen for trombones in jazz bands, particularly "big band" music (Tommy Dorsey was a trombone player) and dixieland jazz. Popular marches like Sousa's The Stars and Stripes Forever and National Emblem , and King's Barnum and Bailey's Favorite (to name just a few examples out of many) also tend to feature the trombone, sometimes on melody , but even more often in the countermelody . Most smaller brass ensembles will have at least one trombone: brass quintets and the works of Gabrieli (originally written to be played in church by sackbuts and other early brass instruments) are the easiest to find. Trombones usually play a supporting role in orchestras, but you may want to look up the pieces mentioned in the history section above . Other orchestral pieces that feature low brass, including trombones:

• Gustav Holst's The Planets , particularly "Mars" and "Uranus", but also "Jupiter" and "Saturn"
• Ravel's orchestration of Moussorgsky's Pictures at an Exhibition and Rimsky-Korsakov's popular orchestration of Moussorgsky's Night on Bare Mountain (also translated Night on Bald Mountain ).
• Listen for sliding trombone glissandos in Khatchaturian's Sabre Dance

Practical information for composers and arrangers

The trombone may be considered to be "in B flat", since its first position gives a B flat harmonic series , but it is usually a non-transposing instrument with concert-pitch (C) parts. Modern trombone music is normally written in bass clef. However, as mentioned above , older trombone parts were often written in alto or tenor clef (and very occasionally treble). So parts to many famous classical pieces are still in these clefs, and modern trombone parts also occasionally use tenor or alto clef. These parts are also non-transposing, concert-pitch parts. Most American band and jazz music has the trombone reading mostly bass clef, and usually at concert pitch. But British brass bands often have the higher trombone parts written in treble clef as a transposing B flat instrument. Thus many trombone players will be comfortable reading parts in whatever clef you would like and even transposing on sight; but if you are writing for a particular ensemble, you may want to find out what clefs and transpositions the players are comfortable reading.

Trombones have a bright, brassy timbre that is easily heard even outdoors or even in a large ensemble. Because of long-standing association with certain types of music, the sound of a trombone is ideal for marches, fanfares, and solemn processionals, but also any time you want a jazzy sound.

When you want unusual effects, remember that short glissandos are a trombone specialty. A short glissando that stays within the range of a single (seventh-to-first-position) partial is very easy for even inexperienced players. Several different kinds of mutes are also available that give a variety timbres , some very popular for jazz, and some that are also capable of ear-catching effects such as the plunger-mute "wah".

Because of the realities of changing notes with a slide, the trombone is not as agile as many other instruments. Do not write long passages of very fast notes. Even short passages of very fast notes are not advisable in some keys. Be aware that slurring smoothly is more difficult for trombone than for valved brass.