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Picture shows the resonance of air in a tube closed at one end. There is maximum displacement at the closed end and no displacement at the open end. Resonance is caused by a tuning fork placed next to the tube.
Resonance of air in a tube closed at one end, caused by a tuning fork that vibrates at the lowest frequency that can produce resonance (the fundamental frequency). A node exists at the closed end and an antinode at the open end.

The standing wave formed in the tube has an antinode at the open end and a node at the closed end. The distance from a node to an antinode is one-fourth of a wavelength, and this equals the length of the tube; thus, λ 1 = 4 L . This same resonance can be produced by a vibration introduced at or near the closed end of the tube ( [link] ). It is best to consider this a natural vibration of the air column, independently of how it is induced.

Picture is a diagram of the standing wave that is created in the tube by a vibration introduced near its closed end. The standing wave has three-fourths of its wavelength in the tube.
The same standing wave is created in the tube by a vibration introduced near its closed end.

Given that maximum air displacements are possible at the open end and none at the closed end, other shorter wavelengths can resonate in the tube, such as the one shown in [link] . Here the standing wave has three-fourths of its wavelength in the tube, or 3 4 λ 3 = L , so that λ 3 = 4 3 L . Continuing this process reveals a whole series of shorter-wavelength and higher-frequency sounds that resonate in the tube. We use specific terms for the resonances in any system. The lowest resonant frequency is called the fundamental    , while all higher resonant frequencies are called overtones    . All resonant frequencies are integral multiples of the fundamental, and they are collectively called harmonics    . The fundamental is the first harmonic, the first overtone is the second harmonic, and so on. [link] shows the fundamental and the first three overtones (the first four harmonics) in a tube closed at one end.

Picture is a diagram of the resonance for a tube closed at one end. The standing wave has maximum air displacement at the open end and none at the closed end. The standing wave has three-fourths of its wavelength in the tube.
Another resonance for a tube closed at one end. This standing wave has maximum air displacement at the open end and none at the closed end. The wavelength is shorter, with three-fourths λ equaling the length of the tube, so that λ = 4 L / 3 . This higher-frequency vibration is the first overtone.
Picture is a diagram of the fundamental and three lowest overtones for a tube closed at one end. Fundamental has one-fourth of its wavelength in a tube. First overtone has three-fourth of its wavelength in a tube, second overtone has five-fourth of its wavelength in a tube, third overtone has seven-fourth of its wavelength in a tube. All have maximum air displacements at the open end and none at the closed end.
The fundamental and three lowest overtones for a tube closed at one end. All have maximum air displacements at the open end and none at the closed end.

The relationship for the resonant wavelengths of a tube closed at one end is

λ n = 4 n L n = 1 , 3 , 5 , .. .

Now let us look for a pattern in the resonant frequencies for a simple tube that is closed at one end. The fundamental has λ = 4 L , and frequency is related to wavelength and the speed of sound as given by

v = f λ .

Solving for f in this equation gives

f = v λ = v 4 L ,

where v is the speed of sound in air. Similarly, the first overtone has λ = 4 L / 3 (see [link] ), so that

f 3 = 3 v 4 L = 3 f 1 .

Because f 3 = 3 f 1 , we call the first overtone the third harmonic. Continuing this process, we see a pattern that can be generalized in a single expression. The resonant frequencies of a tube closed at one end are

f n = n v 4 L , n = 1 , 3 , 5 , ... ,

where f 1 is the fundamental, f 3 is the first overtone, and so on. It is interesting that the resonant frequencies depend on the speed of sound and, hence, on temperature. This dependence poses a noticeable problem for organs in old unheated cathedrals, and it is also the reason why musicians commonly bring their wind instruments to room temperature before playing them.

Practice Key Terms 3

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Source:  OpenStax, University physics volume 1. OpenStax CNX. Sep 19, 2016 Download for free at http://cnx.org/content/col12031/1.5
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