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    Procedure

  1. Remind your students that language can be broken down into separate words, phrases, sentences, and paragraphs. (Remind them of what they have learned about these concepts in language arts.) Tell them that music is like a language: people compose music to say something to other people or make them feel a certain way. In the language of music, notes are like the letters of an alphabet, and they are grouped together into musical ideas that make sense to our ears, just like letters are grouped together into words, phrases, and sentences. (If you like, you may explain here that very short musical "words" that appear often in a piece of music can be called motives , motifs , or cells , whichever term you prefer.) Groups of words that form a whole idea that makes sense may be a simple, complete sentence, or may be a major clause or phrase in a more complex sentence; groups of notes that make a whole musical idea that makes sense are called phrases. Just as you pause at the period at the end of the sentence (or at the comma at the end of a long phrase or clause), a melody also often pauses slightly when it comes to the end of a phrase. The phrases of the music are also grouped together into more complete ideas (particularly antecedent and consequent phrases, which may seem like two clauses in a long sentence, or like a question and answer), and/or into longer sections (a verse can be a section, for example) that are like paragraphs or even chapters. (See Form in Music if you would like your class also to study the larger divisions that are present in music.) Tell them that in songs, musical phrases often (but not always) line up with the sentences or phrases in the text. Share the two examples in Melody if you like.
  2. Have the students sing or listen to a song. You only need to study the first verse and refrain: even though the text changes, the musical phrases will be the same for each verse.
  3. Play or sing the song again, asking the students this time to identify the first, second, third, etc. phrases, perhaps by singing them separately, raising their hands with the correct number of fingers at the start of a phrase, or just saying "two" at the beginning of the second phrase. You may have to sing or play the song several times to give them a chance to decide.
  4. This should be a group activity, with reasonable disagreements allowed. Unless the phrases are extremely clear, some people will hear shorter sections of the melody as being distinct phrases, while others will naturally group the shorter sections into longer phrases.
  5. Some questions to encourage further exploration: Are the phrases about the same length (the same number of beats), or are some much longer or shorter? Is a melodic phrase ever repeated exactly? Repeated with some changes? Do some phrases feel more final than others, as if they have a stronger ending? Where are the stronger endings located, and is there a pattern to them? Do some feel like they are a question waiting for the next phrase to answer them?

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Source:  OpenStax, The basic elements of music. OpenStax CNX. May 24, 2010 Download for free at http://cnx.org/content/col10218/1.8
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