<< Chapter < Page Chapter >> Page >

In addition to the efforts to gain control of the collections and to increase pub­lic access to them, the second priority of the Society's plan was to double public programming. It was hoped that improving the Society's public reputation for community outreach might lead to increased contributions. As Debs put it, "The more we work on presenting our collections and programs to the public, the closer we get to becoming an indispensable institution." The Society's public program­ming efforts were centered in two areas: a public panel, film, and music series titled "Why History?" which attracted three thousand visitors in its first fall sea­son, and several programs addressed more directly to teachers and schools. The spring 1991 "Why History?" series focused on race and class in New York City. The keynote lecture in the series was by Cornel West and was titled "The Role of Visionary Leadership." Six other panel discussions followed, titled "Historical Perspectives," "Contemporary Issues," "Bridging the Gap," "Responsibility, Change, and Power," "Life and Survival in the City," and "Prejudice and the 'Other' New Yorker." Five of the thirteen "Why History?" programs were sellouts, and the total series averaged more than two hundred attendees per event and were warmly received by their audiences. Detailed surveys were given to audiences that allowed the Society to track audience demographics and to get feedback to determine how it could improve the programs.

The Society also offered public programming that fulfilled more directly the educational component of its mission. One such program was the curricula de­velopment project at the William J. O'Shea Junior High School (Intermediate School 44), the Society's neighboring intermediate school. A short-range goal of the project was to enable teachers "to utilize the Society's collections in ways that allow for new approaches to the teaching of American history and art." The longer-term goal was to familiarize students at a young age with the Society's col­lections and to help develop within them the knowledge and skills that would allow them to become regular users of museums and research libraries. The work at O'Shea was extremely well received by school administrators.

When the Society’s financial difficulties again became a matter of public controversy in 1993 and there were accusations that the Society continued to ignore the community, Roger Spry, the vice principal of O’Shea Junior High School, came to the Society’s defense. At a meeting of the local community board, Spry explained what a fantastic resource the Society had been for his school and his students and expressed his enthusiastic support for the institution.
In addition, in recognition of the program's model application, Fordham University offered credit to interns in its history program for participation in the project. Although the Society limited participation to this single school while the curricula were being tested, it was hoped that the program would be replicable at schools throughout the city.

Get Jobilize Job Search Mobile App in your pocket Now!

Get it on Google Play Download on the App Store Now




Source:  OpenStax, The new-york historical society: lessons from one nonprofit's long struggle for survival. OpenStax CNX. Mar 28, 2008 Download for free at http://cnx.org/content/col10518/1.1
Google Play and the Google Play logo are trademarks of Google Inc.

Notification Switch

Would you like to follow the 'The new-york historical society: lessons from one nonprofit's long struggle for survival' conversation and receive update notifications?

Ask