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Working in new ways

In the last decade, users of the Web have gained unprecedented access to pre–twentieth-century culturalmaterials, but the real promise of our digital collections has yet to be realized. There is still a long way to go before we achieveeven basic access to primary sources that will allow scholars and public researchers to work in new ways. A survey of specialcollections that was conducted by the Association of Research Libraries in 1998 found that the uncataloged backlog of manuscriptcollections represented one-third of repository holdings. A similar survey conducted in 2003–2004 showed that 34% of archives andmanuscript repositories have at least half of their holdings unprocessed; 60% have at least one-third of their collectionsunprocessed.

Mark A. Greene and Dennis Meissner, “More Product, Less Process: Revamping Traditional Archival Processing,”American Archivist 68 (Fall/Winter 2005): 208-63.
“Unprocessed” and “uncataloged” mean that no online catalog entries exist, nor are there in-house catalogs, indexes, orfinding aids.

Users of these massive aggregations of text, image, video, sound, and metadata will want tools that support andenable discovery, visualization, and analysis of patterns; tools that facilitate collaboration; an infrastructure for authorshipthat supports remixing, recontextualization, and commentary—in sum, tools that turn access into insight and interpretation. Examplesmight include humanities text-mining (discussed more specifically below), as in the Nora project,

or works of seemingly more traditional scholarship that rely on digital tools, such as EdAyers’s book In the Presence of Mine Enemies (Norton, 2003), which unfolds a tale of the daily life of ordinary people during theCivil War that could not have been researched and developed without access to the gigabytes of digitized historical sources thatconstitute the Valley of the Shadow project.
University of Virginia (External Link) .

If the promise of cyberinfrastructure is to be realized, humanists and social scientists must take the lead indirecting the design and development of the tools their disciplines will use. We will require support systems for that development:research centers that are national repositories of expertise, postdoctoral programs that emphasize digital scholarship, andgraduate programs that train the rising generation in the methods of digital research and scholarship.

What will those tools, customized for the humanities and social sciences, do? A general answer to thatquestion was offered to the Commission in its first public hearing by Michael Jensen, electronic publisher for the National AcademiesPress: “Human interpretation is the heart of the humanities. . . . devising computer-assisted ways for humans to interpret moreeffectively vast arrays of the human enterprise is the major challenge.” In practice, this means that tools for use with digitallibraries will need to enable the user to find patterns of significance (heuristics) in very large collections of information,across many different types of data, and then interpret those patterns (hermeneutics). In the humanities and social sciences,heuristics and hermeneutics are core activities.

In the world at large, the activity of discovering and interpreting patterns in large collections ofdigital information is called data-mining (or sometimes, when it is confined to text, text-mining), but data-mining is only oneinvestigative method, or class of methods, that might become more useful in the humanities and the social sciences as we bringgreater computing power to bear on larger and larger collections and more complex research questions, often with outcomes in areasother than that for which the data was originally collected. Beyond data-mining, there are many other ways of animating and exploringthe integrated cultural record. They include simulations that reverse-engineer historical events to understand what caused themand how things might have turned out differently; game-play that allows us to tinker with the creation and reception of works ofart;

Applied Research in Patacriticism, IVANHOE (2005) (External Link) .
role-playing in social situations with autonomous agents, or using virtual worldsto understand behavior in the real world.
See, e.g., Joshua Epstein, Generative Social Science: Studies in Agent-Based Computational Modeling (Princeton:Princeton University Press, 2006), and Edward Castronova, Synthetic Worlds: The Business and Culture of Online Games (Chicago:University of Chicago Press, 2005).

We can design the software tools, computer networks, digital libraries, archives, and museums that are neededto assemble, preserve, and examine the human record in all of its “variety, complexity, incomprehensibility, and intractability,” asHenry Brady, Professor of Political Science and Public Policy and Director of The Survey Research Center at the University ofCalifornia, Berkeley, described it during his August 2004 testimony to the Commission.

But many barriers stand between us and a future in which we mightrealize something approaching the unification of the cultural record. Some of these barriers are technical, but the moreformidable ones are human and societal—whether legal, organizational, disciplinary, political, or economic. Humanists andsocial scientists, being experts in human culture and social problems, should be well trained to address these challenges, butthey will need to begin with their own organizations, disciplines, politics, and reward systems. The next chapter addresses thesechallenges.

Questions & Answers

A golfer on a fairway is 70 m away from the green, which sits below the level of the fairway by 20 m. If the golfer hits the ball at an angle of 40° with an initial speed of 20 m/s, how close to the green does she come?
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A mouse of mass 200 g falls 100 m down a vertical mine shaft and lands at the bottom with a speed of 8.0 m/s. During its fall, how much work is done on the mouse by air resistance
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Can you compute that for me. Ty
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Chemistry is a branch of science that deals with the study of matter,it composition,it structure and the changes it undergoes
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A ball is thrown straight up.it passes a 2.0m high window 7.50 m off the ground on it path up and takes 1.30 s to go past the window.what was the ball initial velocity
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2. A sled plus passenger with total mass 50 kg is pulled 20 m across the snow (0.20) at constant velocity by a force directed 25° above the horizontal. Calculate (a) the work of the applied force, (b) the work of friction, and (c) the total work.
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you have been hired as an espert witness in a court case involving an automobile accident. the accident involved car A of mass 1500kg which crashed into stationary car B of mass 1100kg. the driver of car A applied his brakes 15 m before he skidded and crashed into car B. after the collision, car A s
Samuel Reply
can someone explain to me, an ignorant high school student, why the trend of the graph doesn't follow the fact that the higher frequency a sound wave is, the more power it is, hence, making me think the phons output would follow this general trend?
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Nevermind i just realied that the graph is the phons output for a person with normal hearing and not just the phons output of the sound waves power, I should read the entire thing next time
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Follow up question, does anyone know where I can find a graph that accuretly depicts the actual relative "power" output of sound over its frequency instead of just humans hearing
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"Generation of electrical energy from sound energy | IEEE Conference Publication | IEEE Xplore" ***ieeexplore.ieee.org/document/7150687?reload=true
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progressive wave
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A string is 3.00 m long with a mass of 5.00 g. The string is held taut with a tension of 500.00 N applied to the string. A pulse is sent down the string. How long does it take the pulse to travel the 3.00 m of the string?
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Source:  OpenStax, "our cultural commonwealth" the report of the american council of learned societies commission on cyberinfrastructure for the humanities and social sciences. OpenStax CNX. Dec 15, 2006 Download for free at http://cnx.org/content/col10391/1.2
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