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Levander : The synergy that has been produced by bringing these research projects together, if only for a day, has led to a remarkable level of energy and fruitful discussion during the question and answer periods. This is especially encouraging at a moment that is often described as a “crisis” for the humanities. During this closing discussion, Chuck Henry and I would be interested in hearing the speakers address the new methodologies that their emerging fields engage, intellectual opportunities and challenges requisite to the emerging field, and strategies the speakers may have developed for sustaining new research models. How have university structures facilitated or impeded research in your emerging disciplines and, in turn, how have these emerging disciplines put pressure on existing university structures? Finally, what new relationships between infrastructure and research is your work uncovering and what kinds of preservation needs and sustainability issues are arising as a result of your work?

Poovey : For the past decade or more, there has been much discussion of “the humanities in crisis.” Rahm Emanuel said, though in the context of the Obama campaign, “Never waste a crisis.” It may be the case that the financial downturn’s impact on universities, and on the humanities disproportionately, will finally provoke those of us in the humanities to articulate the kind of program that we want to positively pursue, so that we do not remain on the defensive. This symposium has touched on articulations of a positive program for the humanities.

Presner : These calls about crisis, dying and downsizing, and the humanities’ irrelevance and inability to make money put us as humanists on the defensive. But we’re engaging with the terms of the debate set by administrators who have introduced particular rubrics and metrics to measure success and impact. It’s incumbent upon humanists not only to articulate what the problems are, but also to look beyond this crisis model. That, for me, is a humanities without apology.

Levander : “Emerging Disciplines” is a kind of thought experiment in new strands of developing knowledge in the humanities. Might you suggest useful collaborative tissues that have emerged? What strikes you as the most useful strands to continue to think about?

Herlinghaus : I would like to address the issue of mirror neurons that came from Pamela and connected to Ani’s and Dan’s talks. We have looked into such different experiences as music, pictographic versions of empathy, and affect in certain medieval contexts. The motivation to work with neurons is quite different in each case, because the effect that engaging with and mimicking music has on the brain might well be different from the one Pamela described when a viewer sees an image or holds the book she discussed when entering a birthing room. People from the twentieth century might not feel the same empathetic affects as people from medieval times, and it may also vary by gender.

Ani, you have been describing music’s effect on the neocortex, the limbic system and the brain stem. Does tonality not affect different regions of the brain? This line of inquiry is of interest to cultural studies, including the issue of rituality in history and culture, as Dan discussed. Several studies on rituality and neuroscience have shown that the effects of rituals (especially those that have become regular social practices in contrast to processes like reading a book) on the wiring of the brain, specifically the re-constitution or intensification of the synaptic systems, are quite intense. Walter Benjamin touches on this issue in his text on the mimetic faculty, in which he refers to non-modern practices of reading what was never written, but with which we connect as if it were written, such as non-textual yet narrative patterns in culture.

Questions & Answers

A golfer on a fairway is 70 m away from the green, which sits below the level of the fairway by 20 m. If the golfer hits the ball at an angle of 40° with an initial speed of 20 m/s, how close to the green does she come?
Aislinn Reply
cm
tijani
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John Reply
what is physics
Siyaka Reply
A mouse of mass 200 g falls 100 m down a vertical mine shaft and lands at the bottom with a speed of 8.0 m/s. During its fall, how much work is done on the mouse by air resistance
Jude Reply
Can you compute that for me. Ty
Jude
what is the dimension formula of energy?
David Reply
what is viscosity?
David
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emma Reply
what is chemistry
Youesf Reply
what is inorganic
emma
Chemistry is a branch of science that deals with the study of matter,it composition,it structure and the changes it undergoes
Adjei
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Adjanou
chemistry could also be understood like the sexual attraction/repulsion of the male and female elements. the reaction varies depending on the energy differences of each given gender. + masculine -female.
Pedro
A ball is thrown straight up.it passes a 2.0m high window 7.50 m off the ground on it path up and takes 1.30 s to go past the window.what was the ball initial velocity
Krampah Reply
2. A sled plus passenger with total mass 50 kg is pulled 20 m across the snow (0.20) at constant velocity by a force directed 25° above the horizontal. Calculate (a) the work of the applied force, (b) the work of friction, and (c) the total work.
Sahid Reply
you have been hired as an espert witness in a court case involving an automobile accident. the accident involved car A of mass 1500kg which crashed into stationary car B of mass 1100kg. the driver of car A applied his brakes 15 m before he skidded and crashed into car B. after the collision, car A s
Samuel Reply
can someone explain to me, an ignorant high school student, why the trend of the graph doesn't follow the fact that the higher frequency a sound wave is, the more power it is, hence, making me think the phons output would follow this general trend?
Joseph Reply
Nevermind i just realied that the graph is the phons output for a person with normal hearing and not just the phons output of the sound waves power, I should read the entire thing next time
Joseph
Follow up question, does anyone know where I can find a graph that accuretly depicts the actual relative "power" output of sound over its frequency instead of just humans hearing
Joseph
"Generation of electrical energy from sound energy | IEEE Conference Publication | IEEE Xplore" ***ieeexplore.ieee.org/document/7150687?reload=true
Ryan
what's motion
Maurice Reply
what are the types of wave
Maurice
answer
Magreth
progressive wave
Magreth
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Muhammad Reply
fine, how about you?
Mohammed
hi
Mujahid
A string is 3.00 m long with a mass of 5.00 g. The string is held taut with a tension of 500.00 N applied to the string. A pulse is sent down the string. How long does it take the pulse to travel the 3.00 m of the string?
yasuo Reply
Who can show me the full solution in this problem?
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Source:  OpenStax, Emerging disciplines: shaping new fields of scholarly inquiry in and beyond the humanities. OpenStax CNX. May 13, 2010 Download for free at http://cnx.org/content/col11201/1.1
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