0.1 Afterword  (Page 25/25)

E. H. Mikhail (ed), Oscar Wilde: Interviews and Recollections . 2 vols. London: Macmillan, 1979.

Katherine Lyon Mix, A Study in Yellow . 1960; New York: Greenwood Press, 1969

Percy Muir, Victorian Illustrated Books . 2 ^nd ed. London: Batsford, 1985.

Isobel Murray, “Some Problems of Editing Wilde’s Poem The Sphinx ,” Durham University Journal , 51:1 (1990), 73- 79.

James. G. Nelson, The Early Nineties: A View From The Bodley Head . Cambridge, Ma: Harvard U. P. 1971.

James G. Nelson, A Checklist of Early Bodley Head Books: 1889-1894 . Oxford: Rivendale Press, 1999.

Gordon Ray, The Illustrator and the Book in England from 1790-1914 . New York: Pierpont Morgan Library, 1976.

Charles Ricketts, A Defence of the Revival of Printing . London: Hacon and Ricketts, 1899.

Charles Ricketts, Oscar Wilde: Recollections By Jean Paul Raymond&Charles Ricketts . London: Nonesuch Press, 1932.

Robert Ross, Prefatory Note to Oscar Wilde, The Sphinx . 1894: London: John Lane, 1910. p. vii.

Robert Harborough Sherard, Oscar Wilde: The Story of An Unhappy Friendship . London: Privately Printed, 1902.

Margaret D. Stetz, “Sex, Lies, and Printed Cloth: Bookselling at the Bodley Head in The Eighteen Nineties,” Victorian Studies , 35:1 (Autumn 1991), 71-86.

Margaret D. Stetz and Mark Samuels Lasner, England in the 1890s: Literary Publishing at the Bodley Head . Washington D.C.: Georgetown U. P., 1990.

Margaret D. Stetz and Mark Samuels Lasner, The Yellow Book: A Centenary Exhibition . Cambridge, Ma.: The Houghton Library, 1994.

John Russell Taylor, The Art Nouveau Book in Britain . 1966; rpt. Edinburgh: P. Harris, 1980.

David Weir, Decadent Culture in the United States . Albany: SUNY Press, 2008

J. W. Gleeson White, “Decorative Illustration, with Especial Reference to the Work of Mr. Paton Wilson.” The Studio 3 (1894), 182-84.

J. W. Gleeson White, “The Artistic Decoration of Cloth Book Covers.” The Studio 4 (1894- 95), 15-23.

J. W. Gleeson White, “The Work of Charles Ricketts.” The Pageant (1896), 79-93.

Oscar Wilde, The Artist as Critic: Critical Writings of Oscar Wilde. ed . Richard Ellmann. New York: Vintage Books, 1969.

Oscar Wilde, “The Truth of Masks” (1885; rev. 1891), rpt. in The Artist as Critic . ed. Ellmann.

Oscar Wilde, “The Decay of Lying” (1889), rpt. in The Artist as Critic . ed. Ellmann.

Oscar Wilde, Preface to The Picture of Dorian Gray (1891), rpt. in The Artist as Critic , ed. Ellmann.

Oscar Wilde, “The Critic as Artist” (1890), rpt. in The Artist as Critic , ed. Ellmann.

Oscar Wilde, The Picture of Dorian Gray: The 1890 and 1891 Texts , ed. Joseph Bristow, Volume 3 of The Complete Works of Oscar Wilde , gen. ed. Ian Small. Oxford: OUP, 2005.

Oscar Wilde, “Some Literary Notes I,” Woman’s World , Jan. 1889, rpt. in Reviews , vol. 9 of Complete Works of Oscar Wilde , ed. Robert Ross. New York: Bigelow Brown, 1908.

Oscar Wilde, “Printing and Printers,” Pall Mall Gazette , 16 Nov. 1888, rpt. in Miscellanies , vol. 10 of Complete Works of Oscar Wilde , ed. Robert Ross. New York: Bigelow Brown, 1908.

Oscar Wilde, “The Close of the Arts and Crafts,” Pall Mall Gazette , 30 Nov. 1888, rpt. in Miscellanies , vol. 10 of Complete Works of Oscar Wilde , ed. Robert Ross. New York: Bigelow Brown, 1908.

The Turn of a Century 1885-1910: Art Nouveau-Jugendstil Books . Cambridge, Ma: Dept. of Graphic Arts&The Houghton Library. Harvard University, 1970.

“Mr. Oscar Wilde and Edgar Poe,” unsigned rev. of The Sphinx , in Daily News (London), 11 June 1894.

“The City of Books,” unsigned rev. of The Sphinx , in Pall Mall Budget , 21 June 1894, 9-10; rpt. in Oscar Wilde: The Critical Heritage , ed. Beckson 164-66.

Unsigned rev. of The Sphinx , in Athenaeum , 25 Aug. 1894, rpt. in Oscar Wilde: The Critical Heritage , ed. Beckson, 170-71.